In a large museum, changes are orchestrated by the movement of artworks. With new displays, recent acquisitions, returning loans, restorations, new combinations and deposits, small adjustments or major transformations, the presentation of the collections is continually evolving. On this page you will find regularly updated information on the principal changes in the Musée d'Orsay galleries, and on new discoveries to be made.
A major restoration has been made in 2015 on Cabanel’s paintingThe Death of Francesca da Rimini and Paolo Malatesta.
The irregular and dirty layer of varnish that covered the painting had previously been selectively reduced privileging the central scene. The latest restoration consisted in thinning the remaining layers of varnish, ameliorate the disaccorded repaints and completing missing parts.
These interventions have alllowed a better reading of this true story that inspired Dante with one of the circles of Inferno in his Divine comedy. Regularising the layer of varnish not only restitutes the pictorial space with the proper succession of plans but also the somptuous colours of the composition.
The restored painting is now to be seen on the ground floor of the Musée d’Orsay
It was the world’s leading contemporary art museum, with prestige and influence to match, and many artists - French only until 1861, when the intake was gradually broadened to include foreigners - dreamed of seeing their work exhibited there. Indeed, acceptance by the Luxembourg allowed them to hope that they might even find a posthumous place in the artists’ true pantheon - the Louvre.