Médaillier : Triomphe de Mérovée
Although more of a specialist in producing small pieces of furniture and objects, it was the joiner, Diehl, who produced this imposing medal cabinet, created for the Universal Exhibition of 1867. The design of its form, marquetry and bronzes were entrusted to Brandely, and the sculpture to Frémiet, while Diehl put all his skill into the cedar and walnut veneers, and the marquetry decoration. Attracting much attention during the Exhibition, observers found it difficult to pinpoint the style of this medal cabinet. "Merovingian style", a "Gaulish piece" and even "a large, Gaulish piece in the Roman style", were all mentioned.
The meaning of this object lies in its bronze decoration. For his only collaboration in the discipline of furniture, Frémiet chose his favourite themes: animals and soldiers. The central bas-relief depicts Mérovée's victory over Attila at the Battle of the Catalaunian Plains in 451. Frémiet had modified Brandely's design, giving more importance to the animals than to the people. The bronzes on the frame expand on the central subject, particularly the Frankish trophy woven with mistletoe above the door. Medals also feature, as on the 18th century medal cabinets, as a reference to the function of the piece.
Diehl probably wanted to sell this medal cabinet to the Emperor. The patriotic inspiration of the subject could well have pleased Napoleon III, who, having founded the Musée des Souverains in 1852, had created in it a section for Merovingian antiques. But his hopes were dashed. Moreover, the cabinet-maker only received a bronze medal for this piece and for three others in a similar style that he exhibited the same year – a medal he refused. Although these creations were recognised as the most innovatory in the exhibition, their influence did not last.
S.b.g. du bas relief central : E.Fremiet
gravé sur la charnière de la porte : Exposition Universelle/1867/Exposition de Vienne/1873/Diehl/19 rue Michel-le-Comte/Paris
Manuscrit à l'intérieur du meuble : Jozef Zeltt Polok a Warszawa/[robil w yravyzu w vukv 1867?]/[noi Wyv kuavz] [traduction partielle : Jozef Zeltt[?]. Polonais de Varsovie a travaillé à Paris en 1867. A l'exposition]
- 1886, vente publique, Paris, Hôtel Drouot, 22 février 1886, n° 1
- collection Nicolas-Marie Simon dit Simon-Max, artiste lyrique, (1848-1923)
- collection Mme René Martin, sa fille
- 1973, vente publique, Paris, Hôtel Drouot, 9 avril 1973, n° 40 repr.
- 1973, acquis en vente publique par les Musées nationaux
- 1973, attribué au musée du Louvre, Paris
- 1982, affecté au musée d'Orsay, Paris (arrêté du 19/07/1982)
- Exposition Universelle - Champ-de-Mars - France, Paris, 1867, classe 14 - section 2
- Weltausstellung - organisme inconnu - Autriche, Vienne, 1873, groupe 8
- L'art en France sous le Second Empire - Galeries nationales du Grand Palais - France, Paris, 1979
- Spectaculaire Second Empire - musée d'Orsay - France, Paris, 2016-2017
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Anonyme, The Art Journal, "Paris, 1867, Illustrated catalogue of the International Exhibition", Londres, [s.n.], 1867, vol.6, p.151
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Mesnard, J., Les Merveilles de L'Exposition Universelle de 1867, Paris, [s.n.], 1867, p. 178-183
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Luchet, Auguste, L'Art industriel à l'Exposition Universelle de 1867, Paris, [s.n.], 1868, pp.105-106
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Laurent, Stéphane, Connaissance des arts, "C.-G. Diehl artisan du nouveau style", Paris, Faton, 2009
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(dir.) Cogeval, Guy, Le Musée d'Orsay à 360 degrés, Paris, Skira ; Flammarion ; Musée d'Orsay, 2013, p. 111, texte par Yves Badetz
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Alcouffe, Daniel ; Chevallier, Bernard ; Davenport, Nancy ; Hiesinger, Kathryn B., L'Art en France sous le Second Empire, cat. exp. (Philadelphie, Philadelphia Museum of Art, du 01/10/1978 au 26/11/1978 ; Détroit, Detroit Institute of Arts, du 18/01/1979 au 18/03/1979 ; Paris, Réunion des musées nationaux - Grand Palais, du 11/05/1979 au 13/08/1979), Paris, Réunion des musées nationaux, 1979, p. 133-134
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Alcouffe, Daniel ; Chevallier, Bernard ; Davenport, Nancy ; Hiesinger, Kathryn B., L'Art en France sous le Second Empire, cat. exp. (Philadelphie, Philadelphia Museum of Art, du 01/10/1978 au 26/11/1978 ; Détroit, Detroit Institute of Arts, du 18/01/1979 au 18/03/1979 ; Paris, Réunion des musées nationaux - Grand Palais, du 11/05/1979 au 13/08/1979), Paris, Réunion des musées nationaux, 1979, n°55
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Chevillot, Catherine, Emmanuel Frémiet 1824-1910, la main et le multiple, cat. exp. (Dijon, musée des Beaux-Arts, du 05/11/1988 au 16/01/1989 ; Grenoble, musée de Grenoble, du 23/02/1989 au 30/04/1989), Grenoble, Musée des beaux-arts de Dijon - Musée de Grenoble, 1988, p.119, S.235
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Cogeval, Guy [dir.] ; Badetz, Yves; Perrin, Paul ; Vial, Marie-Paule, Spectaculaire Second Empire, cat.exp. (Paris, musée d'Orsay, 27 septembre 2016-16 janvier 2017), Paris, Skira - Musée d'Orsay, 2016, cat. 225, p. 263 (reprod. coul.)
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Bascou, Marc ; Massé, Marie-Madeleine ; Thiébaut, Philippe, Musée d'Orsay. Catalogue sommaire illustré des arts décoratifs, Paris, Réunion des musées nationaux, 1988, p.76
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