Photograph - New York

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Paul Strand
Photograph - New York
1917
héliogravure
H. 22,0 ; L. 16,3 cm.
Don Minda de Gunzburg par l'intermédiaire de la société des Amis du musée d'Orsay, 1981
Domaine privé © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
Paul Strand
Photograph - New York
1917
héliogravure
H. 22,0 ; L. 16,3 cm.
Don Minda de Gunzburg par l'intermédiaire de la société des Amis du musée d'Orsay, 1981
perture Foundation, P. Strand Archive © RMN-Grand Palais (Musée d’Orsay) / René-Gabriel Ojéda
Paul Strand (1890 - 1976)
Artwork not currently exhibited in the museum

Paul Strand studied under Lewis Hine (1874-1940), one of the fathers of social photo-reportage. He met Alfred Stieglitz, who introduced him to the European pictorial avant-garde, then being exhibited in his gallery "291" in New York. Convinced by Stieglitz that for photography to become an art in its own right, it had to rely only on its own special characteristics, and directly target real life subjects, Strand moved away from his early pictorialist tendencies. In 1916 the "291" gallery put on his first exhibition, and Stieglitz devoted the two last issues of Camera Work Magazine to Strand's work.
The photographer blended the formalist approach into his work, and today he is considered as the main exponent of "Straight Photography" – pure photography – and social issues. Architecture and objects from everyday life inspired his almost abstract compositions, whilst he showed his interest in the human condition through close-up portraits of anonymous people he passed in the streets.

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