Pierre-Ambroise Richebourg
View of the interior of the Empress' Chinese pavilion

Interior View of the Chinese Pavilion of the Empress at Fontainebleau
Pierre-Ambroise Richebourg (1810-vers 1875)
Interior View of the Chinese Pavilion of the Empress at Fontainebleau
Between 1863 and 1870
Albumen print from a collodion glass negative
H. 29.3; W. 30.8 cm
© Musée d'Orsay, dist. RMN-Grand Palais / Patrice Schmidt


Vue intérieure du pavillon chinois de l'impératrice à Fontainebleau, vue d'une des vitrines

Vue intérieure du pavillon chinois de l'impératrice à Fontainebleau, vue d'ensemble [View of the interior of the Empress' Chinese pavilion at Fontainebleau, overall view]


In 1863, Empress Eugénie had four of the ground floor rooms at Fontainebleau redesigned. One of these rooms was intended to display the oriental objets d'art brought back from China after the Summer Palace was pillaged by French and British troops in 1860. When it came to sharing out the spoils "the army spontaneously expressed a wish that all the precious objects from the Imperial Palace should be sent as a gift to Her Majesty the Empress who had placed the Chinese expedition under her patronage, providing the necessary items for treating the sick and the wounded". The following year, in 1861, ambassadors from Siam, received at Fontainebleau, came laden with gifts for the French sovereigns, and these objects would complete the collection presented in the "Chinese Museum".

The photographs taken by Richebourg offer valuable evidence of the layout and museography of the location, referred to emotionally by Octave Feuillet, the librarian at Fontainebleau in correspondence with his wife. After a reorganisation, during which the original furniture was taken out and replaced with new glass cases, the museum was opened to the public until 1975. It underwent major restoration works between 1984 and 1991, when it was virtually restored to its original state.




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