Ugolin
Rodin said that The Divine Comedy never left him: he always had a copy of his pocket. It is one of the darkest episodes in Dante's immense poem that he has illustrated here. Count Ugolino, walled up with his sons in the prison that was to become their tomb, watched them die and, crazed with hunger, gnawed at their flesh before dying in his turn.
Ugolino wanders, stripped of all human dignity, reduced to a bestial state. "Thin, emaciated, his ribs sticking out under his skin (...), with gaping mouth and loose lip dribbling (...) the drool of a starving wildcat, he crawls like a hyena which has scratched up a decaying carcass over the fallen bodies of his sons whose inert arms and legs dangle here and there over the abyss." (Octave Mirbeau).
The figure is structured around a central void; the tortured modelling, the disarticulated bodies of the children and the deformed limbs all accentuate the morbid, dramatic mood. The composition also presents the premises of the process of assemblage, which Rodin later used systematically: the naked bodies were shaped and cast separately then assembled. After this they were linked together by draperies coated with plaster.
autre dimension H. 133 ; L. 140 ; P. 194 cm (br.)
- jusqu'en 1916, atelier de l'artiste Auguste Rodin
- au musée Rodin, Meudon (morceaux à Meudon dans le pavillon de l'Alma remonté (Cf William G. "A Personal Study of Rodin" World's work, 1905, p. 6827 (p. 6818-6831) ; des photographies le représentent en morceaux Ph. 1653, rep. dans Coquiot, 1917, face p. 126)
- 1916, donation Rodin (S 160)
- attribué au musée Rodin
- reconstruction de Bénédite ? : "En même temps, je faisais mettre en état en reconstruction tous les précieux modèles des grandes oeuvres des maîtres, le Cl. Lorrain, le Bastien Lepage, le Victor Hugo, l'Ugolin"
- 1919, dans la chapelle du musée Rodin
- 1986, dépôt au musée d'Orsay (arrêté du 27/02/1986 ; entrée le 05/03/1986 ; arrêté renouvelé le 10/03/2017)
- Rodin - Kunsthalle Basel - Suisse, Bâle, 1948, n° 63 (grand modèle d'après la photographie du catalogue, mais erreur, Ugolin seul agrandi sans ses enfants)
- Oublier Rodin ? La sculpture à Paris, 1905-1914 - musée d'Orsay - France, Paris, 2009
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Bénédite, Léonce, Catalogue sommaire des oeuvres d'Auguste Rodin et autres oeuvres d'art de la donation Rodin, Paris, Frazier-Soye, 1919, n° 246 (musée Monumental ancienne chapelle)
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Grappe, Georges, Catalogue du musée Rodin, Paris, [s.n.], 1927, n° 50
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Grappe, Georges, Catalogue du musée Rodin, Paris, [s.n.], 1929, n° 67
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Grappe, Georges, Catalogue du musée Rodin, Paris, [s.n.], 1931, n° 86
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Beausire, Alain, Quand Rodin exposait, Paris, Musée Rodin, 1988, p. 86 ?, 96, 105, 116, 126, 131, 153, 185, 187, 189, 233, 240, 244, 253, 255, 292
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Pingeot, Anne, 48/14 La revue du Musée d'Orsay, "Rodin au musée du Luxembourg", Paris, Réunion des musées nationaux, 2000, p. 64-77 reprod.
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Draper, James David ; Papet, Edouard, The Passions of Jean-Baptiste Carpeaux, The Metropolitan Museum of Art, 2014, fig.56
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Papet, Edouard ; Draper, James David, Carpeaux 1827-1875, un sculpteur pour l'Empire, Paris, Musée d'Orsay ; Gallimard, 2014, fig.33
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Chevillot, Catherine ; Leroy-Terquem, Mélanie, Oublier Rodin : la sculpture à Paris, 1905-1914, cat. exp. (Paris, musée d'Orsay, du 10/03/2009 au 31/05/2009 ; Madrid, Fundación Mapfre, du 26/06/2009 au 13/09/2009), Paris, Hazan, 2009, n° 123, p. 232
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Pingeot, Anne ; Le Normand-Romain, Antoinette ; Margerie, Laure de, Musée d'Orsay. Catalogue sommaire illustré des sculptures, Paris, Réunion des musées nationaux, 1986, p.238
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