Spain between two centuries
from Zuloaga to Picasso (1890-1920)

ARCHIVE
2011

Hermen Anglada CamarasaGranadina© ADAGP, Paris © MNAC – Museu Nacional d'Art de Catalunya, Barcelona © Photo : Calveras/Mérida/Sagristà
Although the Spanish painters of the Golden Age are well known by the French public, less so are the artists of the transitional period between the 19th and 20th centuries, with the possible exception of Sorolla. Many of them, however, like Zuloaga, Casas, Camarassa and Rusiñol, spent long periods in Paris, and regularly exhibited at the Salons. This generation opened the way for those who would become giants in the history of art: Dalí, Miró and Picasso.

The exhibition presents two visions of Spain: Black Spain, with Zuloaga and Solana as its major representatives, and White Spain idealised by Sorolla's luminous, shimmering palette. Taking these two different sensibilities and the proliferation of artistic movements that appeared one after another at the dawn of the 20th century, the exhibition demonstrates how constant contact with Paris, the capital of New Painting, led the majority of these artists to adopt new idioms, while still remaining the heirs to El Greco, Ribera and Goya, and retaining part of their Hispanic identity.

Curators

Guy Cogeval, president, Musées d'Orsay et l'Orangerie
Pablo Jimenez Burillo, director, MAPFRE Foundation, Madrid
Marie-Paule Vial, director, Musée de l'Orangerie

This exhibition was organised by: the Public Establishment of the Musées d'Orsay et l'Orangerie the MAPFRE Foundation, Madrid

7 October 2011 - 9 January 2012

Musée de l'Orangerie


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