A Ballad of Love and Death: Pre-Raphaelite Photography in Great Britain, 1848-1875

John Robert Parsons, Dante Gabriel RossettiJane Morris© V&A Images / Victoria and Albert MUSEUM, London
In the second half of the 19th century, during the heyday of Victorian England, the aesthetic principles of the Pre-Raphaelite painters were frequently echoed by the photographers of the time who aspired to be recognised as artists in their own right. Like the painters, they too were influenced by the writings of John Ruskin, the leading theoretician of the Pre-Raphaelite movement. He advocated a return to nature and to craftsmanship, and championed a very precise, exalted view of medieval Gothic architecture whose high moral qualities he considered to be under threat from industrialisation.

The Victorian Pre-Raphaelite photographers and painters knew each other. They tackled the same historical themes, inspired by Dante, Shakespeare, Byron and Lord Tennyson, the Poet Laureate. They also turned to modern life for their more socially aware and morally instructive subjects, with the result that many of the paintings by John Everett Millais, Dante Gabriel Rossetti and Ford Maddox Brown, and the photographs by Julia Margaret Cameron, Roger Fenton, Lewis Carroll and Henry Peach Robinson shared a common vision. This exhibition reveals the rich, productive dialogue that developed between painters and photographers.

Curators

Diane Waggoner, curator, National Gallery of Art, Washington
Françoise Heilbrun, chief curator, Musée d'Orsay
The exhibition will be also presented at the National Gallery of Art, Washington, from 31 October 2010 to 30 january 2011

Publication

The Pre-Raphaelite Lens, British Photography and Painting , 1848- 1875
Publishing Office, National Gallery of Art,
$ 65.00

8 March - 29 May 2011
Musée d'Orsay

Rooms 68 and 69

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