Paris 1874 Inventing impressionism

Impression, Soleil Levant, 1872
Paris, Musée Marmottan Monet
Don Eugène et Victorine Donop de Monchy (donateurs)
© musée Marmottan Monet, Paris / Studio Baraja SLB
What exactly happened in Paris in that spring of 1874, and what sense should we make today of an exhibition that has become legendary? “Paris 1874. The Impressionist Moment” seeks to trace the advent of an artistic movement that emerged in a rapidly changing world.
“Paris 1874” reviews the circumstances that led these 31 artists (only seven of whom are well-known across the world today) to join forces and exhibit their works together. The period in question had a post-war climate, following two conflicts: the Franco-German War of 1870, and then a violent civil war. In this context of crisis, artists began to rethink their art and explore new directions. A little “clan of rebels” painted scenes of modern life, and landscapes sketched in the open air, in pale hues and with the lightest of touches. As one observer noted, “What they seem above all to be aiming at is an impression”.
In “Paris 1874”, a selection of works that featured in the 1874 impressionist exhibition is put into perspective with paintings and sculptures displayed at the official Salon the same year. This unprecedented confrontation will help recreate the visual shock caused by the works exhibited by the impressionists, as well as nuance it by unexpected parallels and overlaps between the first impressionist exhibition and the Salon.
The exhibition at Musée d’Orsay evidences the contradictions and infinite variety of contemporary creation in that spring of 1874, while highlighting the radical modernity of those young artists. “Good luck!” one critic encouraged them, “Innovations always lead to something.”
This exhibition is organized by the Musée d’Orsay, the Musée de l'Orangerie and the National Gallery of Art, Washington, where it will be presented from September 8, 2024 to January 20, 2025.
The exhibition is now over.
See the whole programExhibition artworks

Une moderne Olympia (détail), entre 1873 et 1874
Musée d'Orsay
Don Paul Gachet, 1951
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Répétition d'un ballet sur la scène, 1874
Musée d'Orsay
Legs comte Isaac de Camondo, 1911
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Le berceau, en 1872
Musée d'Orsay
Achat, 1930
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Portrait de Madame Edma Pontillon, née Edma Morisot, soeur de l'artiste, 1871
Musée d'Orsay
Legs Mme Pontillon, 1921
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Narcisse, en 1867
Musée d'Orsay
Achat, 1874
© RMN-Grand Palais (Musée d’Orsay) / Adrien Didierjean
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Une loge aux Italiens, vers 1874
Musée d'Orsay
Don Jean Guérard, 1927
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Saint Laurent, martyr, en 1874
Musée d'Orsay
Achat, 1874
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Satyre jouant avec une bacchante, vers 1874
Musée d'Orsay
Achat au Salon, 1874
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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