Van Gogh · New presentation of the artist's works at the Musée d'Orsay

Level 5, rooms 36 and 37
Vincent Van Gogh
Portrait de l'artiste, 1889
Musée d'Orsay
Don Paul et Marguerite Gachet, 1949
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Since February 6, 2024, the Musée d'Orsay has been offering visitors a new presentation of works by Vincent van Gogh in rooms 36 and 37. Located at the end of the Impressionist gallery, this new space offers better conditions for visiting and contemplating the artist's works. To highlight the paintings, the picture rails are painted blue, echoing the colors used by the artist on his canvases. These larger rooms, more conducive to wandering, present Vincent van Gogh's career in France through his paintings: Paris, Arles and Auvers-sur-Oise. They also show the special bond that developed between the painter and Docteur Gachet in the last weeks of his life.

“The aim of the new presentation is to give greater visibility to Van Gogh's works, which are so popular with visitors.”
Personne citée
Jean-Rémi Touzet, Paint curator

Room 36 · Vincent van Gogh in France (1886-1890)

Vincent van Gogh (1853-1890), born in the Netherlands, was 33 when he arrived in Paris in 1886. His style changed as he came into contact with impressionist painting and the young

artists he met, including Paul Signac and Émile Bernard, who were seeking to invent an art in which colour and simplicity of drawing took precedence.

Images
Vincent Van Gogh
Le restaurant de la Sirène à Asnières, 1887
Musée d'Orsay
Legs Joseph Reinach, 1921
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Vincent Van Gogh
L'Arlésienne, 1888
Musée d'Orsay
Donation sous réserve d'usufruit Mme R. de Goldschmidt-Rothschild, 1952
© droits réservés
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Vincent Van Gogh
La chambre de Van Gogh à Arles, 1889
Musée d'Orsay
Cession en application du traité de paix avec le Japon, 1959
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Vincent Van Gogh
La nuit étoilée, 1888
Musée d'Orsay
Donation sous réserve d'usufruit M. et Mme Robert Kahn-Sriber, en souvenir de M. et Mme Fernand Moch, 1975
© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski
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Vincent Van Gogh
Portrait de l'artiste, 1889
Musée d'Orsay
Don Paul et Marguerite Gachet, 1949
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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Vincent Van Gogh
L'église d'Auvers-sur-Oise, vue du chevet, 1890
Musée d'Orsay
Achat avec le concours de Paul Gachet, fils du docteur Paul Gachet, et la participation d'une donation anonyme canadienne, 1952
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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In 1888, tired of the hustle and bustle of Paris, he settled in sunny Arles. He intended to found a colony of artists. Despite the graphic and luminous power of his paintings, his project was a failure that plunged him into disarray. He mutilated his ear and was committed in Saint-Rémy-de-Provence, where he continued to paint despite his episodes.

At the end of May 1890, he made a fresh start in Auvers-sur-Oise, an artists’ village near Paris. He worked intensely, but soon lost all illusions of recovery and artistic recognition.

On 27 July, he took his own life by shooting himself in the chest.

Playing with variations of brushstrokes and harmonies of colour, Van Gogh compared his art to music, a “consoling art” and the expression of a personal vision.

Room 37 · The Paul Gachet collection

When Van Gogh decided to leave the hospital in Saint-Rémy-de-Provence, convinced that he had caught “a southern disease”, he expressed a wish to be taken in by the Impressionist

painter Camille Pissarro. Pissarro refused, but suggested that he go to Auvers-sur-Oise, a village frequented by artists where the doctor Paul Gachet (1828-1909) practised.

Images
Vincent Van Gogh
Le docteur Paul Gachet, 1890
Musée d'Orsay
Don Paul et Marguerite Gachet, 1949
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
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A doctor specialising in “melancholy” and nervous illnesses, Gachet monitored Van Gogh’s state of health. An amateur painter and engraver himself, under the pseudonym of Paul Van Ryssel, he was close to the Impressionists, from whom he bought several paintings, notably by Cézanne, Guillaumin, Monet and Renoir. Gachet was one of the first art lovers to collect works by Van Gogh. He posed for the painter, who gave him a number of works, and he obtained others from Theo van Gogh after his death. He owned up to twenty-seven

paintings, twenty drawings and three prints by the artist.

Heirs to their father’s collection, Marguerite Gachet (1869-1949) and Paul Gachet junior (1873-1962) donated it to the Musée du Louvre between 1949 and 1954, where it remained until the opening of the Musée d’Orsay.