Hébé et l'aigle de Jupiter
Albert-Ernest Carrier-Belleuse
(1824 -
1887)
Rez-de-chaussée,
Salle 2
Artwork location
In Greek and Roman mythology, Hebe, the daughter of Jupiter and Juno, was the goddess of youth and cupbearer of the gods, whose role was to serve their drinks. She was a very popular female figure with 19th century sculptors - some of the more well known include Canova, Thorwaldsen, Rude and Aizelin - who were captivated by this heroine.
Carrier-Belleuse himself, on several occasions, chose this subject which attracted statue makers not only for the theme of drinking and feasting, but for the contrast it offered between the slender body of the young goddess and the powerful image of the eagle symbolising Jupiter.
In this version from 1858, the eye is immediately drawn to the beautiful figure of Hebe, sitting on the eagle and offering it nectar to drink. This graceful and charming first attempt marked a return to the Mannerism of the French Renaissance. Preciously refined, this small group, reproduced in editions of gilded or silver plated bronze, actually became a decorative object, used particularly at the time for adorning clocks.
Eleven years later, Carrier-Belleuse took a completely new approach to the subject with a monumental version in marble that he sent to the 1869 Salon (Musée d'Orsay): this time, the huge, powerful eagle envelopes the sleeping goddess in his wings and protects her as she rests.
Carrier-Belleuse himself, on several occasions, chose this subject which attracted statue makers not only for the theme of drinking and feasting, but for the contrast it offered between the slender body of the young goddess and the powerful image of the eagle symbolising Jupiter.
In this version from 1858, the eye is immediately drawn to the beautiful figure of Hebe, sitting on the eagle and offering it nectar to drink. This graceful and charming first attempt marked a return to the Mannerism of the French Renaissance. Preciously refined, this small group, reproduced in editions of gilded or silver plated bronze, actually became a decorative object, used particularly at the time for adorning clocks.
Eleven years later, Carrier-Belleuse took a completely new approach to the subject with a monumental version in marble that he sent to the 1869 Salon (Musée d'Orsay): this time, the huge, powerful eagle envelopes the sleeping goddess in his wings and protects her as she rests.
Artist(s)
auteur
Anizy-le-Château, Aisne (02) (France) 1824 - Sèvres, Hauts-de-Seine (92) (France) 1887
Title(s)
titre principal : Hébé et l'aigle de Jupiter
autre titre : Jupiter et Hébé
Jupiter et Hébé : titre du Salon de 1859 (s'il s'agit bien du même groupe)
titre principal : Hébé et l'aigle de Jupiter
autre titre : Jupiter et Hébé
Date
1858
Others accession number
Accession number
RF 3639
Description
statuette en bronze argenté
Dimensions
H. 51,0 ; L. 31,0 ; P. 30,0 cm.
Designation
groupe relié
Inscription(s)
A droite, sur la base circulaire : A . CARRIER . 1858
Place of conservation
musée d'Orsay
- 1982, achat par Musées nationaux (comité du 30/09/1982, conseil du 06/10/1982, arrêté du 18/10/1982)
- 1982, attribué au musée d'Orsay
Modality of acquisition
achat
Acquistion Date
1982
- From Courbet to Cézanne, a new 19th century - Preview of the Musée d'Orsay, Paris - Brooklyn Museum - Etats-Unis, New York, 1986
- From Courbet to Cézanne, a new 19th century - Preview of the Musée d'Orsay, Paris - Dallas Museum of Art - Etats-Unis, Dallas, 1986
- Rêve et réalité - Collections du Musée d'Orsay - City museum - Japon, Kobe, 1999
- Rêve et réalité. Collections du Musée d'Orsay - National Museum of Western Art - Japon, Tokyo, 1999
- Carrier-Belleuse. Le maître de Rodin - musée national du château de Compiègne - France, Compiègne, 2014
General bibliography
-
Ministère de la Maison de l'Empereur, Salon de 1859. Explication des ouvrages de peinture, sculpture, gravure, lithographie et architecture des artistes vivants exposés au palais des Champs-Elysées le 15 avril 1859, Paris, Ch. de Mourgues Frères, 1859, n° 3120 - Jupiter et Hébé ; groupe bronze
Exposition catalog
-
Lacambre, Geneviève ; Thiébaut, Philippe, Catalogue sommaire illustré des nouvelles acquisitions du Musée d'Orsay 1980-1983, cat. exp. (Paris, palais de Tokyo - site de création contemporaine, du 01 mars au 31 décembre 1984), Paris, Éditions de la Réunion des musées nationaux, 1983, p. 72, repr. 73, n° 303
-
Cogeval, Guy, From Courbet to Cézanne : A New 19th Century : Preview of the Musée d'Orsay, Paris, cat. Exp. (Paris, musée d'Orsay, à Brooklyn, Museum of Art et à Dallas, Museum of Art), Paris, Réunion des musées nationaux, 1986, n° 16
-
Mathieu, Caroline ; Bascou, Marc ; Takahashi, Akiya, Rêve et réalité : collections du Musée d'Orsay, cat. exp. (Kobé, Musée Municipal de Kobé, 19 juin-29 août, 1999, Musée National d'Art Occidental, Tokyo, 14 septembre-12 décembre, 1999), Kobé, Nihon Keizai Shimbun, 1999, n° 6
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Hargrove, June ; Grandjean, Gilles ; Grignon Dumoulin, Sandrine ; Starcky, Emmanuel (préf.), Carrier-Belleuse, le maître de Rodin, cat. exp. (Compiègne, musée national du château de Compiègne, du 22 mai au 27 octobre 2014), Paris, RMN-GP, 2014, n° 14
Summary catalog
-
Pingeot, Anne ; Le Normand-Romain, Antoinette ; Margerie, Laure de, Musée d'Orsay. Catalogue sommaire illustré des sculptures, Paris, Réunion des musées nationaux, 1986, p.92
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