Miroir monumental
It would be hard to imagine a more eloquent demonstration of the alliance of art and industry advocated during the Second Empire than this sumptuous mirror. The combined talents and virtuosity of the decorator, the sculptor, the bronze caster and the ornamentist have produced a masterpiece.
Three of the most prestigious names in the so-called 'industrial arts' of the second half of the nineteenth century worked on it: Ferdinand Barbedienne (1810-1892), the founder and director of the biggest art bronze foundry in Paris; Albert Ernest Carrier-Belleuse, an astonishingly prolific sculptor and decorator; Constant Sévin, a sculptor and ornamentist indissociable from Barbedienne's formidable success.
This monumental mirror was designed by Sévin and Carrier-Belleuse for Barbedienne's stand at the Universal Exhibition of 1867. The first version is now in the Bowes Museum at Barnard Castle. This second model, made in 1878, is entirely gilded and more finely chiselled.
Here, the ornamentist and bronzesmith of the Second Empire rivalled with the goldsmiths of past centuries. They brilliantly took up the tradition of great silver furniture made in Paris or Augsburg in the seventeenth and early eighteenth centuries. But the repertoire of ornaments used, Venuses and nymphs, cupids, mascarons, lion's muzzles, cascades of fruit, foliage and cut out leather is typical of the French Renaissance in the style of the Fontainebleau School.
D.b.m. : Anno 1878
- jusqu'en 1996, dans la collection Galerie H. Blairman & Sons, Londres
- 1995, 14 mars, 19th Century Furniture, Decorations and Works of Art, New York, Sotheby's, (n° 165)
- 1996, acquis (comité du 05/10/1995)
- 1996, attribué au musée d'Orsay
- Carrier-Belleuse. Le maître de Rodin - musée national du château de Compiègne - France, Compiègne, 2014
- Spectaculaire Second Empire - musée d'Orsay - France, Paris, 2016-2017
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Anonyme, The Art Journal, "Paris, 1867, Illustrated catalogue of the International Exhibition", Londres, [s.n.], 1867, p.224
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Darcel, Alfred, Gazette des beaux-arts, "Exposition universelle, bronze et fonte modernes", Paris, [s.n.], 1867, N°23, p.425
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Wainwright, C., National art collections fund. Annual report, "A Barbedienne mirror", Londres, [s.n.], 1992, p.86-90
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Bascou, Marc, 48/14 La revue du Musée d'Orsay, "Nouvelles acquisitions", Paris, Réunion des musées nationaux, 1996, p. 24-25
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Loyrette, Henri [sous la direction de] ; Bascou, Marc, De l'Impressionnisme à l'Art nouveau : acquisitions du Musée d'Orsay, 1990-1996, cat. exp. (Paris, Musée d'Orsay, 16 octobre 1996-5 janvier 1997), Paris, Réunion des musées nationaux, 1996, p.88-89
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Hargrove, June ; Grandjean, Gilles ; Grignon Dumoulin, Sandrine ; Starcky, Emmanuel (préf.), Carrier-Belleuse, le maître de Rodin, cat. exp. (Compiègne, musée national du château de Compiègne, du 22 mai au 27 octobre 2014), Paris, RMN-GP, 2014, n° 47
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