Port de Camaret

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Eugène Boudin
Port de Camaret
1872
huile sur toile
H. 55,5 ; L. 89,5 cm.
Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972
© Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt
Eugène Boudin
Port de Camaret
1872
huile sur toile
H. 55,5 ; L. 89,5 cm.
Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972
© RMN-Grand Palais (Musée d’Orsay) / Jean-Gilles Berizzi
Eugène Boudin
Port de Camaret
1872
huile sur toile
H. 55,5 ; L. 89,5 cm.
Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972
© RMN-Grand Palais (Musée d’Orsay) / Jean-Gilles Berizzi
Eugène Boudin (1824 - 1898)

Boudin went to paint in Camaret in Brittany every year between 1870 and 1873, and subsequently made occasional visits there. He liked to capture the light in the port, its cloudy, shifting atmosphere, fluid and ever-changing. Here, the brightness of the harshly lit houses contrasts with the darkness of the sea and the sailing boats.
Living up to the nickname "King of the Skies", given to him by Corot, Boudin devoted most of his paintings to the sky and clouds. Moreover, he used to make lengthy studies of these elements in pastel, and wrote about them in his notebooks: "To swim in the open sky; to reach the "tenderness" of a cloud. To suspend those background masses, far off in the grey mist ...".
The water, barely rippled by the sea breeze, reflects the movement of the sky. The fleeting, floating reflections are suggested through light brushwork in a subtle harmony of greens, blues and greys. Finally, only the presence of the fishermen, silhouetted against the light, provides a counterpoint to the immensity of the sky.

Artwork not currently exhibited in the museum
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