Le Tub
Nearly a quarter of the subjects sculpted by Degas show women at their toilet. Here, the painter of modern life has taken a fresh look at a bathing scene, which so inspired the artists of the Renaissance. In technical terms, The Tub solves the problem of fitting a figure into a circle, a puzzle which goes back to the beginnings of art. It also anticipates the avant-garde in its assembly: in the original wax model, which is in the National Gallery, Washington, and which this bronze figure reproduces, the tub is made from a sheet of zinc, with a fine layer of plaster in the bottom to suggest water. The base is draped with coated rags, which Degas described to his friend, the sculptor Albert Bartholomé, on 13 June 1889: "I have done a lot of work on the little wax model. I have made it a base from cloths dipped in roughly mixed plaster." He talked about the work as early as 1888: "I have not yet done enough horses. The women will have to wait in their tubs." We therefore have a dated sculpture, which is rare for Degas.
This "distant" artist, who sculpted for his own satisfaction, told Thiebault-Sisson in 1897: "Nobody will see these essays, nobody will talk about them [...] Before I die they will all be destroyed and it will be all the better for my reputation." But after Degas's death on 27 September 1917, seventy-three original wax models were saved from the one hundred and fifty found in his studio. On 13 May 1918, a contract was signed between the artist's heirs and the founder Adrien-Aurélien Hébrard. His furnace foreman, Albino Palazzolo, astutely spared the original wax models by using wax copies taken from the bronze models. The full set of models is in the Norton Simon Museum, Pasadena, California. The Tub is one of the set which was cast in bronze, the "material for eternity" that Degas refused to use.
sur le rebord, à l'arrière droit, cachet : CIRE PERDUE A.A. HEBRARD
gravé à côté : 26/P
gravé au-dessous : 26
- 1931, acquis grâce à la générosité des héritiers de l'artiste et des Hébrard (conseil du 01/12/1930, arrêté du 31/12/1931)
- 1931, attribué au musée du Louvre, Paris
- de 1931 à 1974, musée du Louvre, Paris
- 1974, musée du Louvre, galerie du Jeu de Paume, Paris
- 1986, affecté au musée d'Orsay, Paris
- Degas, le modelé et l'espace - centre culturel du Marais - France, Paris, 1984-1985
- La sculpture française au XIXe siècle - Galeries nationales du Grand Palais - France, Paris, 1986
- Degas - Galeries nationales du Grand Palais - France, Paris, 1988
- Degas - musée des Beaux-Arts du Canada - Canada, Ottawa, 1988
- Degas - Metropolitan Museum of Art - Etats-Unis, New York, 1988-1989
- Rêve et réalité - Collections du Musée d'Orsay - City museum - Japon, Kobe, 1999
- Rêve et réalité. Collections du Musée d'Orsay - National Museum of Western Art - Japon, Tokyo, 1999
- Paris in the age of Impressionnism. Masterworks from the Musée d'Orsay - High Museum of Art - Etats-Unis, Atlanta, 2002-2003
- Paris in the age of Impressionnism. Masterworks from the Musée d'Orsay - Museum of Fine Arts - Etats-Unis, Houston, 2003
- Chefs-d'oeuvre du musée d'Orsay pour le 150e anniversaire de la galerie Tretyakov - The State Tretyakov Gallery - Russie, Fédération de, Moscou, 2006, p. 138-139
- Les peintres-sculpteurs - musée Frider Burda - Allemagne, Baden-Baden, 2008, n° 19, p. 46
- Degas : The Uncontested Master - National Gallery of Australia - Australie, Canberra, 2008-2009
- Degas sculpteur - musée d'Art et d'Industrie André Diligent - La Piscine - France, Roubaix, 2010-2011
- La Rivoluzione dello sguardo. Capolavori impressionisti e post-impressionisti dal Musée d'Orsay - Museo d'Arte Moderna e Contemporanea di Trento e Rovereto - Italie, Rovereto, 2011
- Degas and the Nude - Museum of Fine Arts - Etats-Unis, Boston, 2011-2012
- Degas et le nu - musée d'Orsay - France, Paris, 2012
- Degas. Capolavori dal Musée d'Orsay - Società Promotrice Delle Belle Arti - Italie, Turin, 2012-2013
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Pingeot, Anne ; Horvat, Frank [photogr.], Degas, sculptures, Paris, Imprimerie nationale ; Réunion des musées nationaux, 1991, cat. 56, p. 179
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Kinsman, Jane ; Pantazzi, Michael, Degas : the uncontested master, cat. exp. (Canberra, National Gallery of Australia, du 12 décembre 2008 au 22 mars 2009), Canberra, National Gallery of Australia, 2008, n° 116, p. 226-227
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Gaudichon, Bruno ; Chevillot, Catherine ; Papet, Édouard ; Pingeot, Anne ; Kendall, Richard ; Barbour, Daphné, Degas sculpteur, cat. exp. (Roubaix, musée d'Art et d'Industrie André Diligent - La Piscine, du 08/10/2010 au 16/01/2011), Paris, Gallimard, 2010, n° 54
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Cogeval, Guy ; Cahn, Isabelle, La Rivoluzione dello sguardo. Impressionismo e postimpressionismo dal Musée d'Orsay, cat. exp. (Rovereto, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, du 19 mars au 24 juillet 2011), Milan, Silvana, 2011, n° 60
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Rey, Xavier ; Roquebert, Anne ; Avanzi, Beatrice, Degas, Capolavori dal Musée d'Orsay cat. exp. (Turin, Società Promotrice Delle Belle Arti, du 18 novembre 2012 au 27 janvier 2013), Milan, Skira, 2012, n° 51
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Shackelford, George T.M. [sous la direction de] ; Rey, Xavier, Degas et le nu, cat. exp. (Boston, Museum of Fine Arts, du 09/10/2011 au 05/02/2012 ; Paris, musée d'Orsay, du 13 mars au 01 juillet 2012), Paris, Hazan, 2012, p. 145
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Pingeot, Anne ; Le Normand-Romain, Antoinette ; Margerie, Laure de, Musée d'Orsay. Catalogue sommaire illustré des sculptures, Paris, Réunion des musées nationaux, 1986, p.134
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Czestochowski, Joseph S. ; Pingeot, Anne, Degas Sculptures. Catalogue raisonné of the Bronzes, Memphis, The Torch Press and International Arts, 2002, p. 172-173
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