An atypical figure, Chauveau taught himself sculpture around 1905 after several years of practising medicine. From 1907 onwards, monsters became a leitmotif in his creations, both in his sculptures and his drawings.
These hybrid creatures were often endearing, clumsy, and almost amazed by their own existence. Almost as though escaped from his subconscious, Chauveau saw them as genuine companions, the people of an imaginary world in which he found refuge.
Despite their eccentricity, the artist’s sculpted monsters form part of a genealogy of art history, particularly in reference to medieval gargoyles and Japanese influences. In his drawings, Chauveau adopted a concise and incisive stroke to portray his characters in a naive style against simplified yet explicit décors.
His compositions reflect the narrative and sometimes dramatic dimension of his series.
As of the 1920s, he conjured up monstrous landscapes: antediluvian or desert-like expanses where biomorphic monsters roam and yield to strange activities. Chauveau also illustrated the great classics (The Old and New Testament, La Fontaine's Fables), for which he revised the text in places (The Tale of the Fox), and also created loveable and incredible stories of animals and children.
This exhibition provides an entirely new insight into a work that was without equal at its time. It is structured around two parts: the personality, life and work of Léopold Chauveau, and his children’s universe that will leave young visitors mesmerised.
CuratorsOphélie Ferlier-Bouat and Leïla Jarbouai, curators at the Musée d'Orsay
Exhibition also presented at La Piscine, musée d'Art et d'Industrie André Diligent de Roubaix from 17 October 2020 to 17 January 2021
In collaboration with Gobelins, l'école de l'image
and with the participation of the Institute Mémoires de l'Edition Contemporaine
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