Aged 20, Aubrey Beardsley received his first major order from publisher J.M. Dent: to illustrate The Death of Arthur by Thomas Malory. For this, he produced several hundred drawings. From then on, he was able to make a living from his art. Whether in journals, anthologies, poetry or novels, Beardsley’s work became widely viewable in book publishing in England. His illustrations for Oscar Wilde’s Salomé are among his most famous artworks.
The drawings by this original figure from fin-de-siècle England are spirited and masterful. These black-and-white depictions portray a strange world: bold, erotic, unorthodox. Beardsley’s highly personal style – easily recognised – and the widespread visibility of his works brought the artist great renown. Critic Max Beerbohm even called London’s decade of the 1890s ‘the Beardsley Period’.
The exhibition will trace the story of this outstanding creator, from his first works published in 1891 to his last portrayals in 1898. In addition to around one hundred original drawings by Aubrey Beardsley, some examples of original publications of these illustrations will be displayed, as will a selection of posters to show the context in which works by this extraordinary figure were given prominence.
CuratorsLeïla Jarbouai, graphic arts curator at the Musée d'Orsay, Elise Dubreuil, decorative arts curator at the Musée d'Orsay, Caroline Corbeau-Parsons, Curator, British Art 1850-1915 at Tate Britain
Exhibition organised by the Musée d'Orsay and the Musée de l’Orangerie, Paris, and the Tate Britain, London.
Exhibition presented at the Tate Britain from 4 March to12 September 2020
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