Their paintings took a more radical, stylised turn when they met Vassily Kandinsky in 1911 and founded the Der Blaue Reiter Almanach [The Blue Rider Almanac].Franz Marc abandoned plein air painting in favour of his famous blue horses which inspired the title of the almanac. While Marc co-edited the Almanach with Kandinsky, August Macke compiled the ethnographic visuals and wrote a study on African masks. Highly active in their field, they also helped organise international avant-garde exhibitions like the ones held in Cologne in 1912, and in Berlin in 1913, while continuing to develop their art. As part of this evolution, Franz Marc turned to Abstract art in 1913 under the influence of the Italian Futurists exhibition and Robert Delaunay’s paintings. Macke, for his part, moved away from Kandinsky’s intellectual spirituality and towards a clearer relationship between humans and nature, particularly during his travels to Tunisia with Paul Klee.
Drafted in 1914, both artists were killed in combat leaving unfinished yet emblematic works that represent the hedonist, colourful and seductive side of German Expressionism.
General CuratorCécile Debray, Chief Curator, Director of the Musée de l’Orangerie
CommissaireSarah Imatte, curator, Musée de l'Orangerie
This exhibition is part of the programme on European avant-garde painters at the Musée de l'Orangerie, following on from the Apollinaire, the Eyes of the Poet (2016), Dada Africa (2017) and De Chirico and metaphysic painting (2020) exhibitions.
An exhibition in partnership with the Neue Galerie New York, Museum for German and Austrian Art where the exhibition will be presented from 4 October 2018 to 21 January 2019.
With the generous support of Crédit du Nord