Exhibition

Black models: from Géricault to Matisse

From 26 March to July 21st, 2019
Jean-Léon Gérôme-Etude d'après un modèle féminin pour A vendre, esclaves au Caire
Jean-Léon Gérôme
Etude d'après un modèle féminin pour "A vendre, esclaves au Caire", vers 1872
Collection particulière
© Photo courtoisie Galerie Jean-François Heim - Bâle / DR

Taking a multi-disciplinary approach that combines the history of art and the history of ideas, this exhibition explores aesthetic, political, social and racial issues as well as the imagery unveiled by the representation of black figures in visual arts, from the abolition of slavery in France (1794) to the modern day. Designed to provide a long-term perspective, the exhibition looks more particularly at three key periods: the era of abolition (1794-1848), the new painting era up to the Matisse’s discovery of the Harlem Renaissance and the early 20th century avant-garde movement and the successive generations of post-war and contemporary artists.
The exhibition primarily focuses on the question of models, and therefore the dialogue between the artist who paints, sculpts, engraves or photographs and the model who poses. It notably explores the way in which the representation of black subjects in major works by Théodore Géricault, Charles Cordier, Jean-Baptiste Carpeaux, Edouard Manet, Paul Cézanne and Henri Matisse, as well as the photographs of Nadar and Carjat, evolved.

The exhibition is now over.

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